I have seen four A stamps on Natural finished bodies, and a trans-red with an A stamp. I’ve seen a C on a Monaco Yellow and a Sunburst. I have also seen a D, along with an A on a Sunburst body. This is just a theory, but if only A’s were put on Natural finished guitars as an example, it could help determine if a guitar is refinished. The number will have an ‘S’ prefix possibly an ‘E’, read below followed by a six digit number. The first digit is supposed to reflect the year of manufacture, but there are major overlaps in this regard, and the serial number should not be used to ID a guitar’s exact year of manufacture. The last five digits are basically random. An important thing to look for are the matching serial number stickers in the neck pocket and on the pickguard. All bodies are Ash, and usually a heavy piece. Most Natural and Sunburts finished guitars seem to be three-piece bodies, painted ones may be more.
Reading pot codes
Gibson style headstocks are also changed this year to the more familiar wave or fan shaped ones most MPC fans are used to. At some point in the early 80’s, some production is moved to Korea. MPC Ultima X debuts in
Before Ibanez did not put serial numbers on their guitars. Most just bore a neck plate simply marked Japan. Most just bore a neck plate simply marked Japan. The only way to date these guitars is to find out what years they were available and then comparing all the minute details like scripts, contours, and inlay variances that only the hardcore vintage gurus know.
December 05, , I didn’t know that. I was told that the 4 digit probably represents year, then number. I hadn’t noticed that they all were that way. So, if we knowthat they moved production to Korea around ’91, what serial numbers do confirmed 89’s, 90’s, 91’s have? What about 85’s 86’s and 87’s? Maybe if we started a thread that gave a couple photos and the serial number, we could get this sorted out.
As for the headstock, the wing style is what they used on the early 80’s string through guits, and my guess is that they went to the bound gibson style in a simple effort to add some bling, then when they added other models to the line, reintroduced the wing to the 35, and left the fancier headstock for the HB and HB etc.
Another thing I recently noticed, ‘s headstock has an inlay while mine does not. In every other way, ours seem identical. As for the volute, again, I’m just guessing it was added as a point of distinction for the model. Obviously, we can’t know for sure. Yours, minus the serial number, may have been a proto model, and that’s just another bonus for yours in particular?!
Dating by serialnumber
Washburn guitars had a fire sometime in the ‘s that destroyed everything, including all records and paperwork that they had prior to the day of the fire On all limited editions.. The above info was given to Dr. Duck from the Washburn Guitar Company
The photo left is a period Fabricatore, and the others are reproductions of originals by luthier Bernhard Kresse.. These are prime examples of the main early 19th .
But, with more sales came more production, and more production meant less attention to details and a slumping of quality-control. They were getting more poorly-made instruments as the years went on and found they were still paying a high price for them. With the introduction of many other versions of the Strat and Tele, and other less-popular models, guitarists started looking for alternatives to Fender guitars.
At this time in Japan, the electric guitar was making its great debut, and Fender guitars were highly sought-after. Pickups were unwound and studied electronically, wood core samples were taken and exact dimensions of the woods were recorded. Artists were paid to replicate the logo designs and hardware designs. And then, finally, the Japanese started to manufacture their own Fender replicas under the names of such companies as Greco, Fernandes, ESP, Joo Dee, Westminster, Heerby, El Maya, and even Yamaha so that they could enjoy what America was enjoying, but under their own terms and at their own cost.
And most importantly, these guitars were easily available from local music shops. This went on for a number of years until it had become so popular that Fender was made aware of the situation and decided to really take a look at what was going on in Japan. After deliberately getting their hands on a few good copies, they were astonished and probably really angry about how accurate some of the copies were.
Is My Vintage, Made-in-Japan (MIJ) Guitar a Real Ibanez?
Rare “stell adjustable neck” teisco gen gakki hollow body AncientSociety An early s pot from a Gibson guitar. Once decoded, the writing on the back or sides can be very informative If you’ve been reading articles about dating a vintage guitar, you may well have come across mention of pot codes. The pots, or potentiometers to give their full name, are the variable resistors that control volume and tone. Better quality pots are often stamped with a number of codes; typically part numbers, date of production, manufacturers codes and resistance values.
Many pots don’t carry all of this information, but the better quality guitars produced in America regularly do. So where are these codes?
This comprehensive Charvel guide will enable you to determine the year of production and verify any of the legendary Japanese made Charvel guitars, designed by Jackson Charvel and built by the Japanese Chushin Gakki factory back in through
What’s the difference and how can you tell? The serial number of your guitar will begin with one of the above lettering sequences. Fender Japan used all of the above lettering sequences for the serial numbering of their guitars and basses over the years, and knowing this first will help you determine the year of manufacture. These stamps can be found in different locations on your guitar, so now I’ll tell you where you need to look to find these markings There will be 5 numbers also engraved after the “JV” lettering.
Fender “JV” guitars were only made from to All Fender JV models had the serial numbers engraved into either the neck plate or bridge. Many also have penciled neck dates you can only see when the neck is removed from the body of the guitar. These models have the serial numbering and markings in the same location as Fender JV guitars, and were made only during the years to On Stratocasters and bass guitars, you will find the serial number just below this stamp, also on the heel of the neck.
On Telecasters and certain other models, you will find the serial number on the bridge.
Builders of the early 19th Century
About Guitars Buying a new guitar is a considerable investment for most of us. An instrument is all about inspiration. You are the musician and the guitar is the tool you use to express your feelings and music.
Ibanez brand guitars are manufactured at a variety of factories in several countries under contract from the brand’s owner, Hoshino Gakki catalogs scanned and linked below represent output from the year through the present.
Tokai have produced acoustic guitars, electric guitars, electric basses, autoharps, and melodicas. Tokai first started making classical guitars in and started making Hummingbird electric guitars in and Hummingbird Acoustic guitars in Tokai have also made an original introductory line of acoustic Conn Guitars, and acoustic replicas of Gibson and Martin. In late , the Tokai company under contract to Conn, headquartered in Oak Brook, Illinois, launched a new unique line of guitars carrying the Conn brand name.
This venture is known to have continued until at least early History of Conn Guitars. In Tokai went into a joint venture with Martin to supply acoustic guitar parts and also to build Martin’s solid-body Sigma guitars. In Tokai started making the “Cat’s Eyes” Martin acoustic replicas. In the late s early Fender copies began and were sold mainly in Japan and Europe, such as the “.
In Tokai started making a metal-body guitar called the Talbo which the band Devo played at one time. This was in response to threats from the American companies to go to court to protect their copyrights. Thus these models are generically known as “Lawsuit Guitars”. Tokai have their own instrument making factory and have built guitars for well-known brands OEM. Tokai and Dyna Gakki currently build the Fender Japan solid-body models and have done so since Serial numbers Tokai uses a seven-digit serial number usually pressed into the back of the headstock for the Gibson model replicas.
Only the most famous builders from the earliest 6-string guitar through the 19th century are discussed on this page. This site presents only the most rudimentary basics of the topic. There were numerous 19th century builders, in fact probably hundreds of luthiers. For many of these makers, perhaps only a handful or even only 1 guitar survives.
Ibanez (アイバニーズ, Aibanīzu) is a Japanese guitar brand owned by Hoshino Gakki. Based in Nagoya, Aichi, Japan, Hoshino Gakki were one of the first Japanese musical instrument companies to gain a significant foothold in import guitar sales in the United States and Europe, as well as the first brand of guitars to mass-produce the seven-string guitar and eight-string guitar.
Neck Plates Brass – No Markings The solid brass neck plate was commonly found on pre-serialized prepro Charvel guitars that were manufactured between and late In fact, the majority of Charvel prepro guitars manufactured, used this style neck plate. These plates were polished only on the exposed side and then cleared lacquered. The back of the plate was not finished and typically appears raw and generally quite oxidized. It is common to see the lacquer chipped worn around the edges of these neck plates.
Black – No Markings One of two types of neck plates used by Charvel which had no markings. This style of neck plate is found on pre-serialized prepro Charvel guitars dating from early This neck plate style is far less common than the brass neck plates and appear to have been only used in early These plates often have the black coating either partially or completely worn away, leaving the appearance of a smooth, slightly-polished steel neck plate. In addition to the serial number, the Charvel logo and the San Dimas address were also written on the neck plate.
All the text was in raised lettering giving these neck plates a 3D look. These 5 digit neck plates are very rare and appear to have been used only intermittently for a month or two commencing around April, After that time the plain brass neck plates were once again used until the introduction of the 4 digit “serialized” neck plates in late The 5 digit neck plates are very similar to the neck plates used during the “serialized” production era, differing only in a FIVE versus FOUR digit numbering system.
Date Yo Axe
In fact, it was likely that your parents were steering you in the direction of accordion lessons. The Beatles — and of course others — stopped all that. Suddenly, electric guitars were 1 on every kids Christmas list. Companies that had been manufacturing Accordions for 20 years, retooled for electric guitars.
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Fernandes Burny Here’s a quick way to tell if you have a Matsumoku factory guitar whether branded or not. That’s a dead giveaway that you’ve got one of “Uncle Matt’s” guitars. As I said above, Fujigen and the other manufacturers produced guitars with no logos at all for sale around the world. That in itself shouldn’t cause much confusion, because we know from Hoshino that “if it doesn’t say Ibanez” it’s not an Ibanez.
However, Fujigen Gakki, the manufacturer of Ibanez-branded guitars would provide stock, no-name images to Hoshino and other distributors for use in their catalogs. Fujigen only had to take one picture of a guitar instead of one with each different brand on it.